business dog typewriter

So anyways, I realised the other day that I haven’t contacted my editor yet to book in this year’s edits – not that I’m anywhere near finishing the first draft of I Want You Back just yet. I’ve found that if I set myself deadlines – much like I would have if I were contracted to a traditional publisher (remember, we talked about that last week) – I work towards meeting those. If I don’t have deadlines, I tend to drift rather aimlessly – and that isn’t good if you have, like I do, a production schedule to meet.

I was telling someone about it the other day and they asked the question I get asked more often than you’d think: how did you find your editor?

It’s a good question. To begin with, I had in mind a few considerations:

  • I wanted to work with someone who had worked on commercial fiction in the traditional publishing world
  • I wanted to work with someone who had worked with indie authors
  • I wanted to work with someone who had worked with chick lit/commercial women’s fiction
  • I wanted to work with someone who actually enjoyed reading chick lit and women’s fiction
  • I wanted to work with someone who I thought would also be in my target audience
  • I wanted to work with someone based in Australia
  • I wanted to work with someone who “got” my voice and my story and who could help me make it all come together
  • I wanted to work with someone who I could work with…yes, that does make sense…and who I could work with in the long term to improve my craft

Armed with this information I went looking:

  • I popped the search term “freelance editor” into Linked In
  • I put the request out on Twitter
  • I read the acknowledgement pages in books that I really enjoyed
  • I googled the terms “freelance editor” and “how to find an editor” and landed on the Freelance Editors Network.
  • I checked out the website for NSW Writers Centre (of which I’m a member).

Then I went through profiles, checked out their website links and made a list of people that I thought I’d like to work with. Then I emailed them.

Price was an important consideration, of course it is – self-publishing is a business, and businesses have budgets – but ultimately, ticking the boxes above were more important to me.

There you have it.

Who do I use? The delightful Nicola O’Shea from ebookedit.com.au. Now, excuse me while I get back to the business of writing – my deadline is now locked in.

Want to know more about the editing process? You might also like What To Expect From A Structural Edit and What To Expect From A Copy Edit

About the Author Jo

I'm a 30 something, marathon running, perky ponytailed yummy mummy. Actually, none of that is true. I write words, I take photos, I look at stars.

3 comments

  1. I wondered about the voice thing…. How you knew that Nicola ‘got’ your voice and writing? Although having said that, you wouldn’t want someone who adored your voice no matter what, cos you need to appeal to a wide variety of readers I guess.

    I’m rethinking the whole book thing, even though I added it to my pre-50 bucket list….

    Like

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