After trashing my book (remember, I told you about it here), I’ve put it back together enough that it’s now gone off to my editor for a structural look-see. Rather than do a full structural edit, at this point it’s about working out whether I’m on the right track.
You see, what I’m doing with this one is splitting it into three short novels – almost novellas in length. They’ll each be around the 50,000 word mark – about the length of a Sydney commute. Because they’re three different stories occurring in the same timeframe, there are crossovers that I have to keep an eye on through the editing process of each.
Each character is not only telling her own story, but also giving her perspective into the story of the others. Confused already? You wouldn’t be alone. In drafting no.2 of this series (at the moment untitled, so I’m referring to it as Tiffany), I’ve already worked out at least three places where I Want You Back (Callie’s story) needs re-work and layering. Callie herself is still feeling a tad passive – so I suspect more will need to be made of her motivations.
Anyways, the plan is to release them all a month after each other – which essentially means that I’ll need at least two ready to go before the first is published.
Yes, that does put a certain amount of pressure on me. While I Want You Back is off getting the assessment treatment, Tiffany is being drafted. I’m giving myself just a month to do this.
What I’m discovering as part of this process is that in writing quickly, not only is my voice coming through more clearly, but I have less time to faff about and deliberate over whether I’m doing the right thing, or not being clever enough. I have less time to second guess myself.
Sure, it makes the reviewing process a nightmare, but as they say, you can’t edit words that haven’t been written.
As well as madly drafting Tiffany, I’m also building the story for Alice in my head and gathering ideas for the covers and titles.
These three books (or book-ettes) are sequels to Baby, It’s You, so not only do I want to keep the cover design the same, I also want to add that same feeling of light and fun to the cover.
In the month prior to release date of I Want You Back, I’ll run a special promotion on Baby, It’s You, as for the publication date itself? I’m aiming for September, but that will depend on how much work I need to do to get I Want You Back to publishable standard.
I’ll keep you posted on that one…