Introducing The Hungry Writer – and wrapping the week

The eagle-eyed amongst you will have noticed that this week’s wrap-up is coming to you from a different website.  I’m phasing And Anyways out and am in the process of transferring some of the content across to here.

Why have I done this?

I originally created the author page midway through last year with the aim of showcasing my books and a focus on building my author profile – with a view to, of course, selling more books. There’s no point creating a product if no one knows about it.

And Anyways started life in 2012 as an overflow blog for everything I wanted to write about that didn’t fit on my astro site. With very few exceptions my astrology readers didn’t want to know about my travels, my life, or my writing. They just wanted the astro. Given that there’s a lot of them – almost 400,000 visitors in 2016, that’s what I give them. But I still wanted to write about my life – my travel, my experiences, the things that inspire my fiction. And anyways was created.

Yet, as I’ve begun publishing fiction the site address – a nod to a phrase I use constantly – has proven to be problematic. This came to a head a couple of months ago when there was a lot of confusion about what my site address actually was for the RWA program.

It’s become clear that I have 2 personas:

  • Jo Tracey who writes DIY astrology and
  • Joanne Tracey who writes fiction

My site statistics tell me:

  • There is negligible crossover from the Jo Tracey Astrology to either joannetracey.com or andanyways.com. Even when I’ve specifically linked in a post or a newsletter.
  • There is a little traffic from anyanyways.com to the astro site
  • There’s a lot of traffic from andanyways.com to joannetracey.com – and vice versa.

This tells me that the rambles of the hungry writer (my tagline for and anyways.com) and the books created by the hungry writer – based on those rambles – belong together.

It hasn’t sat well with me to have these posts on a different site from the books they inspired.  Baby, It’s You and Big Girls Don’t Cry are both set partially in Bali. Baby, It’s You, Big Girls Don’t Cry, and I Want You Back are set mostly in Melbourne – as will be the catchily titled Book After I Want You Back and Book After The Book After I Want You Back. Wish You Were Here is split between The Cotswolds in England and Queenstown, New Zealand.

In splitting the sites I’ve compromised both my traffic and my reach – and made life harder for myself from a content creation viewpoint. Yes, I’m a travel and lifestyle blogger, but primarily I’m an author.

To cut a long and increasingly boring story short, this site, The Hungry Writer, will be where you’ll find all my posts.  I’ve purchased the domain the hungrywriter.com.au and will be pointing it in this direction over the next week or so.

I still have some tweaking to do and widgets to set up, but I hope you can find your way around here ok.

For my and anyways readers, there will usually be one writing post a week going up here – probably on a Wednesday. For my author page readers, you’ll be seeing more travel and lifestyle posts. I’d really love it if we can all get along.

And for my astro readers? Jo Tracey Astrology is remaining unchanged. You’ll find it where it always is – here. I’m also keeping my Sunshine Coast blog separated for now too. If you’re interested in places to go, see and eat at on the Sunshine Coast, you’ll find them here.

Ok, without further ado, let’s do a quick wrap of the week. Other than redesigning my website, what else went down?

What I struggled with…

Time zone changes. Where I live – in Queensland – we didn’t go to daylight saving. This wouldn’t be that much of an issue if it weren’t for the fact that mine (and my husband’s) work is based entirely back to Sydney. I’ve kept my work laptop configured to Sydney time, but even so, it’s seriously doing my head in.

What frustrated me…

My astro website was down for what amounted to 2 whole days. This was due to an outage of the server that it’s hosted on. Beyond annoying.

What I didn’t see…

Sunrise. We had a couple of days of rain here this week – we really needed it – but mostly I didn’t see the sunrise because it’s now peeking its head above the horizon at about 5.20am – and getting a minute earlier each day.

What thrilled me…

Seeing the purple flowers appear on the jacaranda tree in the verge. There’s also a papaya tree, but that’s another story.

What I learnt…

The name of this plant – also in the verge. Thanks to my instagram followers, I now know that it’s an Ixora.

Where we lunched…

In our unrelenting search to find the perfect place to have a beer on a sunny afternoon – I know, it’s a challenge most sensible people would shy away from – we tried out Guru Life. I loved the spicy corn fritters, the pineapple wallpaper on the counter, the leafy courtyard, the mis-matched furniture and the duck pond.

You can read more about it here.

Also on the Sunny Coast site, was something on another beer garden/bar/Mexican restaurant – La Canteena.

Phew, that was my week – how was yours?

6 tips to writing a satisfying sexy scene

I’m writing this post on a Saturday afternoon. I have a zucchini slice in the oven that I’m keeping an eye on, and in the background is an annoying electrical alarm – like when the washing machine is out of balance and needs to have the load shifted. The problem is that it’s coming from next door and, as it’s been bleeping most of the day, I suspect that he put a load on before going out – and it won’t be stopping any time soon.

As for me? I’m sitting at my kitchen counter staring at my scrivener page and trying to sex up a couple of chapters. I’m working through my structural edit and my fabulously wise editor thinks there needs to be a tad more sexiness in a couple of chapters of the book.

She’s absolutely right – it was lazy writing…my words, not hers – and the scene felt, as a result, flat and lifeless. the same goes with my final chapter. It definitely needed the sensuality notched up a tad too.

So, I’m sitting here watching a zucchini slice do it’s thing and listening to the washing machine next door annoyingly bleep. My protagonists are getting sexy and hubby is now home and wants a detailed discussion about green fees and golf cart hire – and the relative value of each – at the golf course he’s looking for cost justification to join.

Each of the sex scenes in previous books has been written in equally unsexy settings – mostly on my lunch break in the food hall at Rhodes Shopping Centre with screaming kids and IKEA trolleys all around. Then there have been those scenes I’ve written while still in bed on a Saturday morning with hubby in the doorway asking if I’d like scrambled or poached eggs – or maybe an omelette?

The thing is, writing a squidgy scene isn’t a whole lot more different than writing anything else. Plus, if you let your imagination go wild, it can even be kind of fun – although it helps if you pretend that it will never be read by your mother. Speaking of which, after Mum read Wish You Were Here, she told me that she thought the sex was nicely done. Hashtag awkward. But, I digress.

One of the panel sessions I attended at RWA was about trusting your voice. Amongst other topics it touched on writing sex scenes when you’re uncomfortable doing so. The consensus from the panel – Anne Gracie, Marion Lennox, Trish Morey and Keri Arthur – was that if you’re not comfortable writing sex, that will come across. Marion Lennox – who has written over 110 romances – doesn’t write sex…and that’s how her readers like it. Trish Morey, on the other hand, writes some seriously steamy scenes and is eminently comfortable writing sex. I’m somewhere in the middle, I think.

Another of the sessions I attended at RWA the other week was a “round-table” with Amy Andrews. Essentially it was just 10 of us around a round table (hence the name) with Amy – and an opportunity to ask whatever writing related questions we wanted.

The question I asked was about her sex scenes – Amy writes scorching sex scenes. Seriously scorching ones. Not only are they hot (I already said that, right?) but they do what every satisfying scene should do – they are integral to the story.

I wanted to know if she has to get into any special sort of mood to write these – and no, I don’t mean that sort of mood, I mean as in a ritual sort of thing. Does she light candles, set mood music or maybe have some other method of getting into the right space? Actually no. She just writes.

She also had the following to say about writing them. Naturally I took notes:

  • The first sex scene between your protagonists should be the longest one in the book. It’s a turning point and a huge emotional whammy.
  • It’s also primarily an emotional act rather than a physical one. Whatever it is that our characters are doing – or how they’re doing it – we want to know how they’re feeling.
  • If you can delete the sexy bits without impacting the story, they probably shouldn’t be there. It has to advance the story in some way – either through bringing your protagonists together, pushing them apart, or complicating things enough to make a situation worse before it gets better

I’d add the following to these:

  • Sex is when we’re at our most raw, most needy, and most emotionally vulnerable – this should come across (no pun intended) in that first scene.
  • Stay away from the IKEA style tab A into tab B type of physical instructions. As, (I think it was) Anne Gracie said in the Trust Your Voice session, sex is about more than the docking procedure.
  • With your attention (and blood) diverted to areas much further south than your brain, deep and meaningful or philosophical conversations can happen before or after, but absolutely not during. Speaking of which, sex is real – as is humour – so don’t be afraid to lighten the mood as well.

So, there you have it – now I just have to put these tips into action myself. If only that bleeping washing machine would shut up!

 

5 Reasons to love your day job…

I’m not sure about you, but I have a day job. If I were a betting girl, I’d hazard a guess that most aspiring or emerging writers do – as do a relatively large proportion of (even) mid-list established writers. Sadly, we can’t all be JK Rowling.

I’m actually quite fortunate – since moving to the Sunshine Coast, not only do I work remotely (back to Sydney), but I’ve been able to cut my hours back to 3 days a week. After years of trying to juggle my writing with a full-time role and a daily 3 hour commute (90 mins each way), this feels awfully close to being the perfect balance. Surprisingly though, I think I wrote more feverishly when I had less time to do so. Go figure.

Ultimately my goal is not only to make enough money from my writing to not only pay the bills and travel, but to have the freedom not to work for anyone else again. In the meantime, though, the day job has to take priority – and I’m grateful for it. There are, however, still days when I’d prefer to be writing. On those days I remember these things:

It pays the bills.

Well, it pays some of the bills. It buys me time until my books can pay for themselves – and support us in the manner to which I want to become accustomed…and travel for research and…you get the idea…

It allows me the freedom to self-publish

The income from my partition job means that I have the funds available to invest in self-publishing. It buys me a control over my writing career that I wouldn’t otherwise have, and allows me to work with the people that I want to work with.

It provides inspiration

Sadly some of that inspiration will never hit the page – confidentiality and all that. Besides, some of the things I’ve seen and heard in the workplace would never be believed if I wrote it in a book. Some of the characters would definitely be criticised as being too clichéd or too completely unbelievable – sad but oh too true.

I read somewhere once that 30% of your characters are based on yourself, 30% on others, and the rest on imagination. You know what they say: don’t piss the writer off – you could end up in a book…dead. All I’m saying to this is stay tuned for my cozy mystery series…

Seriously though, the experiences of the day job provide layers and realism in my creative work. My current protagonist, Callie, is in human resources. I’ve never been in an HR job before, yet in the last couple of months I’ve been relieving in a recruiting role. I’m not sure whether it’s art imitating life or the other way around. Either way the experience has meant that a lot of what I’d previously written has been, shall we say, rewritten.

It provides the drive to write

I can’t tell you the number of times I’ve been stuck in a spread-sheet and had the best idea for a story, or the solution to a plot problem. If only I could write full- time, I say to myself, I wouldn’t have this issue.

The truth is, having the pressure of the day job, and the need to squeeze my writing into a relatively small space has resulted in me being more disciplined and more able to set goals and deadlines and stick to them. I’ve written and published 3 books in 2 years while working a busy corporate job and juggling my daughter’s school, life etc.

I now have the freedom to write more, but seem to be more productive creatively when the partition job is at its busiest and most, shall we say, problematic. Perhaps it’s at that point when the motivation is there to motor through and get the product out there. Just saying.

It helps from a business viewpoint

I’ve learned so much about running a business from my corporate roles over the years. Over the last dozen or so years every one of my partition jobs has taught me skills that I’m absolutely using in my indie publishing business today. Skills like project management, budgeting, deadline setting (and keeping), IT know-how, business planning, strategy, and so much more.

What about you? Do you have a day job? How do you juggle the 2 parts of your life?

The introvert’s guide to surviving (and getting the most from) a writer’s conference…

 

 

 

 

So anyways, I attended the RWA (Romance Writers Australia) conference in Brisbane last weekend. It was a fabulous weekend full of amazing presenters, panels, and opportunities to connect with other writers. Writers of all level were represented – from those still thinking about their happy ending, to those who are selling hundreds of thousands (and more) books…and all stops in between.

It was a chance to learn from those who were there to pass on their knowledge. Of course, it was also going to be the first time that I was standing up in front of my fellow writers to talk about something that I knew a little something about.

Thanks to everyone who messaged or emailed me wishing me well with my presentation. It went, I think…I hope, well. It certainly felt like it did, and I thank everyone who came up to me afterwards with comments, compliments and questions. I was so nervous to start, but relaxed once I got through my introduction. I’m certainly neither a seasoned speaker or a well-known author, so I’m grateful to the conference committee for giving me a chance – and especially grateful to those who came to hear me!

The thing is, most writers are, by nature, introverted. It’s why we can do what we do and spend as much time in our own heads with our imaginary friends as we do. Conference time can be, although exciting, also completely overwhelming. While it’s fabulous to meet new people, reconnect with others, and learn heaps, the noise and sensory bombardment really jangles at my nerves. I’ll post later about what I learnt, but for now, here are my tips to make the most of – and survive – conference…and be ready to do it all again next year.

  1. Book a room at – or close to – the venue if at all possible. This gives you somewhere to escape to if it all gets too much – and is a much nicer environment than hiding out in a toilet stall with your hands clapped over your ears.
  2. If you can afford it, have a room to yourself. When you come back from a day where the noise has permeated every cell in your body, and you don’t want to talk to anyone else for at least 30 minutes, you’ll be grateful of the space.
  3. You don’t need to attend every session. If there’s something that doesn’t interest you, simply don’t go. Yes, you’ve spent good money, but that time might better be spent re-energising or jotting down your impressions. Besides, if you’re really into the material, you’ll have more to talk about afterwards.
  4. Get out. Yep, try and carve some time to get out into the fresh air. Even if you’re just walking around the block for 10 or 15 minutes in the lunch break, your body – and your brain – will thank you for it.
  5. Watch the carbs. Most catering at these things is heavily carb based – with sugary treats the order at morning and afternoon tea. I’m not gluten intolerant, but after 3 days of eating a lot of wheat products I feel bloated and my ankles are swelling. Of course, I could also blame it on the champagne, but surely it couldn’t be that…right? Oh, and stay hydrated.
  6. Network better than I do. I remain convinced that no one would want to meet me, so tend to be uncomfortable about wandering into established groups. It’s a ridiculous thought to have because everyone is so friendly, and we all have one big thing in common – we write (or read) romance. Plus, I’m sure the majority of people in the room are convinced that no one would want to talk to them either.
  7. You don’t have to meet everyone. Smaller groups will allow you to make deeper connections that you can continue to grow after conference – and aren’t nearly so overwhelming than the whirl to mingle with as many people as possible.
  8. You don’t have to stay at the party until the end. If you’re out on your feet, no one minds you making a graceful exit – and knowing that it’s ok to do that will let you be more present and enjoy yourself while you are there.
  9. You don’t have to go to the party at all if you don’t want to. After a day of being “on” sometimes the last thing you want to do is continue it into the evening. If you’re the type who is energetically better in the mornings, go to the breakfast functions or invest your energy into the daytime sessions. That way people will see you at your best. Besides, if you really don’t want to be there, it will come through.
  10. If you can, connect with people before the conference. Most conferences will have a Facebook page/group or a Twitter or Instagram hashtag. Follow these and reach out to a few people. I was fortunate enough to be attending with a friend of mine – thanks, Debbish – but interaction on both the Facebook page and instagram meant that there were others who either knew me or knew of me before conference. That hashtag – and my sunrise photos – was the perfect ice-breaker.

What about you? Are you a conference go-er? What are your tips for making the most of it?

 

Bellydancing for beginners…

Has it really been that long since I last posted here?

It’s been a pretty mad time – work and deadlines wise. My presentation for the session I’m doing at Romance Writer’s Conference next month was due on Monday (tick), and I’m working hard to fill in the gaps to get I Want You Back off for structural editing next week (on track). I’m committing to have Book 2 (still as yet untitled) in this mini trilogy ready for a structural look-see by the end of August, and Book 3 by the end of November. I know the things are tight, but because I’m working with the same three characters, over the same time-frame, I think it’s doable.

As for I Want You Back? It’s been a long haul getting this book done – partly because of the chaos of the first three months, but also partly because I just couldn’t hear my character clearly – she’s a Cancer, you see, and I suspect she was just a tad too far inside her shell for much of the time. We’ve gotten to know each other now, and every day she’s showing me more about herself. And yes, I suppose that it is weird talking about my characters as if they are real people, but in a way they are. As an aside, the session I’m delivering for RWA is about knowing your characters through astrology.

Part of the reason I’ve struggled is I’m distracted by some shiny new ideas that I’m refusing to allow myself to work on until these 3 books are out of the picture. Way back when I wrote Baby, It’s You, I had plans for these. What I hadn’t planned on was the idea for Wish You Were Here jumping on in at number 3. In the meantime I’m indulging myself with copious notes.

Behind it all, work in my day job has been pretty full-on. I’d like to say that I’m seeing the light in that particular tunnel, but I have the feeling something else will come along and obscure it again shortly.

In the meantime, I’ve been to my first belly dancing class in almost 10 years. It was really like going to my first belly dancing class ever. Aside from being 10 years older, I’m also 15 kilos heavier – most of which is around my belly.

I was worried that I’d feel like the oldest and the fattest in the room – and I definitely was the fattest – but everything was so comfortable that I very soon forgot all about that.

The idea of going back came to me a month or so ago when I decided that Callie, my protagonist in I Want You Back would begin attending a dance class. I wanted to use the dance as a sort of tracker for her progress, so it had to be something that would bring her out of the shelter she’d erected for herself. But what sort of dance would do it? The answer was simple – the sign of Cancer rules the belly, therefore it had to be belly dancing. I did mention that the session I’m delivering for RWA is about knowing your characters through astrology – didn’t I?

And, if I was sending Callie off to belly dance, there was no excuse for me not to go back too. So I added it to my winter bucket list, found my coin belt and scarf, and off I went. And I had a fabulous time. As did, spoiler alert, Callie.

Have you ever done something because you’d written it into a story? What about doing something because you wanted to write it into a story?

10 tips to work from home and get stuff done…

This isn’t my office…

Working from home. It’s the dream, right?

You lie in bed until five minutes before you’re due to log into work and then spend your day in your pyjamas while you are working. Yeah, that doesn’t work for me.

These days I work completely from home – juggling part-time hours in my partition job (remote work back to Sydney), with my fiction writing, astro writing, and content creation/ marketing. The thing is, I’m not naturally disciplined – I need the commitment to a routine in order to get anything accomplished. It’s a boundary thing.

Anyways, here are my tips to working from home and getting stuff done.

  1. Have a work routine

Just as if you had to get up, get dressed and commute to work, set a repeatable routine for yourself.

In Sydney, my alarm would go off at 5.30am so I could leave for the bus at 6.20am, to be in the city for coffee by 8 and at my desk and working before 8.30

These days, my alarm still goes off at that time, but I head down to the beach for a walk.

I’m still at my desk and working by 8.30, but I’ve had some exercise and fresh air as well. Hashtag winning.

  1. Get dressed

Yes, get out of your pjs. You don’t have to dress up and do the make-up thing, but getting dressed is you telling yourself that you mean business. It’s part of the ritual of going to work.

  1. Go to work

I’m lucky in that I have a dedicated office slightly away from the rest of the house –up 5 stairs. When I go to work, that’s what I’m doing. If you don’t have your own space, dedicate an area to your work zone. It doesn’t need to be huge, but it does need to be where you work. It’s a symbolic thing.

Of course, going to work could mean picking up your laptop and escaping to the nearest coffee shop, park, beach, or whatever. I do that too – especially if I need to change my headspace from partition to creative.

  1. Implement a reasonable internet use policy

Just as you have a reasonable internet use policy in the office, do the same when you’re working for yourself or at home. If it would be unacceptable to sit on Facebook all day while you’re in the partition, why is it ok to waste your working hours on it at home?

Naturally, the exceptions are if you’re on there for genuine research purposes, or for social media marketing/ content scheduling.

  1. Take regular breaks

Although the temptation might be to work through, make sure you completely stop for a lunch break. If you’d normally have a sandwich and a walk during your lunch hour, do this at home too. Just stop – for at least 30 minutes.

  1. Stock your pantry

If you don’t want your lunch hour spreading into a lunch 2 hours, have your pantry (or freezer) stocked with lunch options.

  1. Clock off

Again, because you’re at home, it’s way too easy to just keep working. Set a knock-off time and stick to it. Of course, the exceptions are deadlines and those amazing days when the words are flowing easily – but for all other times, close the laptop at the end of your designated working day.

  1. Put a full stop under the day

If you were commuting, you’d usually have a period of time between the end of the work day and the beginning of home time. Do the same here. Whether it’s taking the dog for a walk, relaxing with a book, pouring a glass of wine – whatever. Make a ritual of something that symbolises that your work day is done. I usually take the dog for a walk, or duck back down to the beach to watch the sunset. Then I come home and it’s time to make dinner.

  1. Set boundaries

By far, the hardest part of working from home is persuading others that you’re working from home.

My husband isn’t working at the moment, so is home most of the time. At first he had a few issues with this concept.

‘But I never know if you’re working,’ he’d say.

‘If it’s Monday to Friday and I’m in the office, it’s safe to assume that I’m working,’ I’d reply.

‘But I don’t know whether you’re work working, or working on your stuff working,’ he’d say, the inference being that if I was work working ie back to Sydney being paid directly for what I do working, he wouldn’t interrupt me. Hmmmm.

  1. Maintain a schedule

Ok, this is one I struggle with at present. The work I do back to Sydney is the only income producing activity at present – we certainly can’t pay the bills on what I earn from my writing…yet. This means that although I start each week with a schedule of when I’ll be doing partition work and when I can work on anything else, if it has to change to squeeze more partition hours in or move them around – then that’s what I have to do.

Blogging gets squeezed in usually on the weekends, and I always find extra time over the weekend or in the evenings for my novel.

I break my days into three sections:

  1. Mornings 8.30- 12pm I’m most productive in the morning, so this is the best time for me to be doing partition work, and anything where I need a clear run.
  2. Pm 1: 1pm – 3pm I use this for any leftover partition hours
  3. Pm 2: 2.30 – 5.30pm

At present I’m working on converting some astro blog content to an ebook, and my latest novel – although it changes depending on whether I have any freelance work booked. In general I prioritise whatever is associated with actual now income rather than future income e.g. from next week I’ll be putting together my presentation for the RWA Conference.

Anyways, on an ideal week, my days might look something like:

Monday Tuesday Wednesday Thursday Friday
am Partition Partition Blog to book Partition Blog to Book
pm 1 Partition Partition Novel Partition Explore & lunch
pm 2 Blog to book Novel Novel Blog to book content scheduling/ admin

What about you? Do you work from home? How do you get stuff done?

An interview with…Samantha Wood

 

Last week I went all out and brought you an interview with me. This week I’m talking to someone who isn’t me – and yes, I’m aware of just how that sounds!

So, without further ado, allow me to introduce you to Samantha Wood. Her novel Bay of Shadows is available now and, spoiler alert, we share an editor…

Ok, so we can get to know each other a little better, do you have a specific genre that you write in?

Ooh, tricky one. My first book was a travel memoir, but this one is ‘gothic noir’, which sounds decidedly mysterious. My readers have called it a psychological thriller – I quite like the sound of that!

Do you have a day job? If so, how do you manage or schedule your writing around it?

I do have a day job, but I’ve been on long service leave for three months now so it feels like a lifetime ago. I work remotely for a company called Access Innovation Media – they provide captioning for television and live events so that the Deaf and hard of hearing can have access to content. I come from a Deaf family so it’s really special to be involved in the bigger picture, so to speak. (And I get to work from home in my trackies.) It’s a struggle to schedule my writing around full-time work but somehow I manage, even if it’s only a few words here and there.

Where do you write? Office, coffee shop, all of the above?

Well, I moved my office lock, stock and barrel into the garage – which also doubles as my pottery studio – but whenever I’m in Melbourne I love to haunt the State Library of Victoria. I think it’s the smell of all those old books – it is like catnip for us authors! There is so much inspiration in that beautiful place. I write most of my notes in coffee shops or outdoors – anywhere or anytime ideas strike.

What about notes? Are you old school – eg journals or manual notes – or new, ie digital?

I’m old school when it comes to notes. I also have a slight obsession with notebooks so have about six on the go at any one time. They all have different purposes: blog notes, marketing schedules, story ideas; they’re also a good way of posting my progress – or lack thereof – on Instagram for whatever project I may be working on at the time.

What made you decide to go indie?

I got sick of waiting! I’d finished the manuscript for THE BAY OF SHADOWS back in April 2016, did a big mail-out to publishers and agents alike, then waited. And waited…and waited. I got a few responses from different publishing houses saying they loved the story and would get back to me in due course. By November of that year I still hadn’t heard back from anyone so, on a suggestion from my wonderful editor, I went down the indie road, and never looked back.

What has been your biggest learning so far?

Absolutely everything! When I published late last year I had no idea about author platforms or marketing strategies – I didn’t even know what SEO stood for. The past six months have been a monumental learning curve and while it has been exhausting at times, it has been a wild ride.

Any regrets? Things you wish that you’d known or would have done differently?

Probably that I waited so long to do this, although having said that, nothing happens until the timing is right. I had the mind-set that being traditionally published was the only way to go, but going down the indie route has given me so much freedom to do things my way – from the cover design of THE BAY OF SHADOWS to the design of my website and my social media platforms; I don’t think I would have found my voice as an author if I’d secured a publishing deal from the outset. As someone mentioned to me years ago, “That’s my name on the shingle above the door,” and they were right. As an author I’m a brand so I know how best to represent myself. (And maybe I’m a secret control freak after all!)

What about your team? Do you use the same team each time?

I use the same team every time for one very important reason: they are AMAZING! Nicola O’Shea has been my editor for many years and apart from being one of the best editors anywhere, she is also a beautiful human being. Keith Stevenson does the formatting for all my books, and is also exceptional. They can both be found at ebookedit. Xou Creative did my wonderful cover design and I have all my proofreading done by Pauline at In The Garret Writing Services. My friend Mark Flores at Falcon Creative does all my video production.

Plotter or pantser?

Pantser, definitely a pantser. I wish I was a plotter – they seem to have it far more together than I do.

Your desk – messy or neat? Care to share a photo?

Ah, somewhere in between. See the insulation at the back is a lovely touch.

Coffee or tea…or something else?

Coffee – as my Instagram page will attest – so so much coffee.

Music? Or do you prefer to work in silence?

I love music but I’m so easily distracted that it has to be silence. I’d even started putting in my earplugs but that was the kind of silence that was so absolute that you start to wonder if you’re still alive! The garage is down the bottom of the garden so it’s really quiet down there.

What are you working on right now?

I’m working on the rewrite of my next novel UNDER TEN THOUSAND STARS which is going back to my editor in August. I’ve had a couple of weeks away from it so I can’t wait to get stuck back in. Wish me luck!

Good luck…and thank you!

Bay of Shadows is available now on Amazon.

If you want to know more about Samantha and her books, you can find her here:

Samantha’s website

Samantha on Facebook

Samantha on Instagram

If you want to know more about Samantha’s team:

Ebookedit

Falcon Creative 

Xou Creative 

Pauline @ In the Garret Writing and Editorial Services – paulineprivate5@gmail.com

An interview…with me!

Over the next few months – or longer – I’ll be bringing you interviews with other indie authors or indie publishers. To get the ball rolling, I figured I’d interview myself!

 Ok, so we can get to know each other a little better, do you have a specific genre that you write in?

Absolutely…chick lit…women’s fiction…call it what you will.

Do you have a day job? If so, how do you manage or schedule your writing around it?

I do. I remotely work back to Sydney. I’m part-time, so 3 days a week I’m on spread-sheets and processes, and the other 2 days (plus whatever time I can grab on a weekend) I have for fiction. I make the absolute most of that time.

When I lived in Sydney and was working in the city 4 days a week, I’d get up at 5am and write for 45mins before I had to get ready for work – and then again every night. It all feels so much more balanced now.

Where do you write? Office, coffee shop, all of the above?

I write in my home office, sitting up in bed (promise you won’t tell my chiropractor), and also down at our local surf club at least one afternoon a week. Why wouldn’t you with this view.

What about notes? Are you old school – eg journals or manual notes – or new, ie digital?

For notes, I keep a journal that I write messily in. I’m in the process of organising my notes into bullet journal format (I wrote about that here) – and that, I think, is going to change my life #notexaggerating

What made you decide to go indie?

I’ve written about that before – you can find the post here. Essentially it boils down to creative control. Thinking about recently when I trashed my novel and decided to turn it into 3 novelettes, there’s no way a traditional publisher who had accepted my original pitch would have allowed me to do what I’m doing.

My next projects are a huge departure from what I’ve done before too – being an indie gives me the ability to take my career in the direction that I want it to go – for better or for worse.

What has been your biggest learning so far?

This whole thing has been a huge learning curve, but my biggest takeaway is that indie publishing is absolutely not about overnight success. I thought I knew that, but I’m not sure that I knew it…if you know what I mean.

Any regrets? Things you wish that you’d known or would have done differently?

No regrets. They don’t work (to quote Robbie Williams). The thing I wish I knew? Just how important an email list and social media platform is.

What about your team? Do you use the same team each time?

I do. I use Nicola O’Shea for my editorial work, and Keith Stevenson for formatting. You can find them at ebookedit. I also use the same cover designer – Jacinda May.

Plotter or pantser?

Pantser, although, for my next project (no spoiler alert) I’m going to need to learn how to plot…at least a little…

 Your desk – messy or neat? Care to share a photo?

I’m trying to be neat at present. My office is right near the front door, so visible to anyone coming into our house. Plus, I’m juggling partition with creative work, so need the clean lines of division. I even use 2 separate laptops. The one constant is my muse – Kali, @adventurespaniel

Coffee or tea…or something else?

Tea…or wine!

Music? Or do you prefer to work in silence?

I create playlists – or mixed tapes – for each project I work on. This really helps with re-writes. When I’m writing, though, I pop my headphones on and play anything from the classics to indie songwriters.

What are you working on right now?

The I Want You Back trilogy. I’m about to start the re-write and can’t wait to get stuck back into it.

What I’m working on…

After trashing my book (remember, I told you about it here), I’ve put it back together enough that it’s now gone off to my editor for a structural look-see. Rather than do a full structural edit, at this point it’s about working out whether I’m on the right track.

You see, what I’m doing with this one is splitting it into three short novels – almost novellas in length. They’ll each be around the 50,000 word mark – about the length of a Sydney commute. Because they’re three different stories occurring in the same timeframe, there are crossovers that I have to keep an eye on through the editing process of each.

Each character is not only telling her own story, but also giving her perspective into the story of the others. Confused already? You wouldn’t be alone. In drafting no.2 of this series (at the moment untitled, so I’m referring to it as Tiffany), I’ve already worked out at least three places where I Want You Back (Callie’s story) needs re-work and layering. Callie herself is still feeling a tad passive – so I suspect more will need to be made of her motivations.

Anyways, the plan is to release them all a month after each other – which essentially means that I’ll need at least two ready to go before the first is published.

Yes, that does put a certain amount of pressure on me. While I Want You Back is off getting the assessment treatment, Tiffany is being drafted. I’m giving myself just a month to do this.

What I’m discovering as part of this process is that in writing quickly, not only is my voice coming through more clearly, but I have less time to faff about and deliberate over whether I’m doing the right thing, or not being clever enough. I have less time to second guess myself.

Sure, it makes the reviewing process a nightmare, but as they say, you can’t edit words that haven’t been written.

As well as madly drafting Tiffany, I’m also building the story for Alice in my head and gathering ideas for the covers and titles.

These three books (or book-ettes) are sequels to Baby, It’s You, so not only do I want to keep the cover design the same, I also want to add that same feeling of light and fun to the cover.

In the month prior to release date of I Want You Back, I’ll run a special promotion on Baby, It’s You, as for the publication date itself? I’m aiming for September, but that will depend on how much work I need to do to get I Want You Back to publishable standard.

I’ll keep you posted on that one…

My writing playlist…

So anyways, you know how I told you last time that I’d trashed my novel and I was now writing three short novels – almost novella length? Well, it’s going well again – thanks for asking. It’s almost as if once I told Tiff and Alice that they’d have their own books – and wouldn’t need to wait for too long to get them – that they behaved. Now I can hear Callie loud and clear.

I can also hear Callie’s playlist – or mixed tape – more clearly – so of course I’m going to share it with you. Naturally, you can youtube or spotify or download or do whatever it is that you do to listen to music if you don’t know some of these songs. Some of you might be too young to know some of these songs – some of you won’t have even been born when a couple of these came out.

As an aside, I never knew that Manfred Mann’s Blinded By the Light was actually written by Bruce Springsteen. Now, there’s a little something for your useless book of knowledge. Yes, I was surprised too – not as surprised as I was to hear about real life zombie jellyfish, but that’s some trivia for another time. You’re welcome.

Ok, to the playlist for I Want You Back:

I Want You Back – Bananarama

Here With Me – Dido

Love Me Like You – Little Mix

Any Other World – Mika

Especially For You – Kylie Minogue and Jason Donovan

When We Were Young – Adele

Busting Loose – Moving Pictures

Xanadu – Sarah Blasko

Hot Summer Night – Night

Blinded By The Light (the extended play version with the seriously funky guitar work in the break) – Manfred Mann’s Earth Band

Turn The Lights On – Natalie Bassingthwaite

Jar of Hearts – Christina Perri

Please Don’t Say You Love Me  – Gabrielle Aplin

The Way You Are Tonight – Missy Higgins